The Laura Shannon Prize
Nanovic Institute awards 2020 Laura Shannon Prize to Eleonory Gilburd's To See Paris and Die
The Nanovic Institute for European Studies at the University of Notre Dame has awarded the 2020 Laura Shannon Prize in Contemporary European Studies to Eleonory Gilburd for her book To See Paris and Die: The Soviet Lives of Western Culture, published by The Belknap Press of Harvard University Press.
The $10,000 Laura Shannon Prize, one of the preeminent prizes for European studies, is awarded annually to the best book in European studies that transcends a focus on any one country, state or people to stimulate new ways of thinking about contemporary Europe as a whole. This year’s cycle of the award considered humanities books published in 2017 or 2018.
To See Paris and Die received high praise from the final jury:
“A masterly and engrossing performance, ‘To See Paris and Die: The Soviet Lives of Western Culture’ reveals just how ambiguous the Soviet Russian relationship was with Western people and art. In her remarkable and stunningly comprehensive work of scholarship, Eleonory Gilburd has the pulse of the people at her fingertips as she deftly counterpoints the ‘thaw’ of the 1930s with those of the 1950s and ’60s.
“From the long view of Soviet national politics in the international arena, Gilburd cuts to definable cultural sectors such as popular music and cinema, book publishing, and translation delivering the texture of experience during this period. Events such as foreign art exhibitions, book fairs, or the French and Italian film weeks allow Gilburd to track fashions and debates at the micro-level of individual responses, as well as through the usual introductions and pamphlets. Gilburd also offers a range of colorful vignettes of government disapproval, such as the story of Kruschev sleeping through much of a Fellini film at the Moscow Film Festival.
“Well-structured and jauntily written, ‘To See Paris and Die’ succeeds because of its panoptic brio, audacious look at popular responses to cultural forms, accessible style, and a sustained sense that, within its pages, the destiny of Europe is at stake.”
Gilburd is an assistant professor of history at the University of Chicago. Her work focuses on the history of modern Russia and the Soviet Union, with a particular interest in Soviet culture, society and their international context. She will visit Notre Dame during the fall semester of 2020 to accept the prize, deliver a public lecture and meet with students and faculty.
The final jury also awarded inaugural Laura Shannon Prize Silver Medals for the first time in prize history. One went to Thomas Crow, the Rosalie Solow Professor of Modern Art and associate provost for the arts at New York University, for his book Restoration: The Fall of Napoleon in the Course of European Art, 1812-1820, published by Princeton University Press.
The jury commended Restoration, stating:
This beautifully written and produced book opens new perspectives onto an eight-year period of political chaos through an examination of the lives of key artists and works of art. In new and often revelatory readings of the work of a dozen painters, some well-known and others less familiar to all but specialist readers, Thomas Crow subtly intertwines a number of seemingly contradictory historical trajectories — the fall of Napoleon, the European restoration, and even a tentative sense of liberatory progress. Lucid, engaging, and enlightening, this is a masterly, almost epigrammatic work by a historicist art historian at the top of his game.
The second Laura Shannon Prize Silver Medal was awarded to Eric Calderwood, associate professor in the Program in Comparative and World Literature at the University of Illinois at Urbana-Champaign, for his book Colonial al-Andalus: Spain and the Making of Modern Moroccan Culture, published by The Belknap Press of Harvard University Press. The jury’s final statement on Colonial al-Andalus was equally enthusiastic:
We have many accounts of “moorish” influences in Spain, but almost none of the lingering shadow of the Spanish presence in Morocco. Colonial al-Andalus offers an original, deeply researched, and compelling narrative of a relationship of increasing international importance. With exemplary analyses of Spanish- and Arabic-language texts that demonstrate the pervasiveness of the “myth” of Andalusia in both Spain and Morocco in modernity, Calderwood’s work is well documented, vivid in style, and timely.
The jury for this year’s prize consisted of a distinguished group of scholars:
R. Selden Rose Professor of Film and Comparative Literature
Professor of Romance Languages and Literatures
Academic Director of Notre Dame’s London Global Gateway
University of Notre Dame
Professor of Philosophy
Class of 1900 Professor of Modern Languages and Professor of German
Donald and Marilyn Keough Professor of Irish Studies
University of Notre Dame
Carrying a prize of $10,000, the Laura Shannon Prize is awarded annually to the author of the best book in European studies that transcends a focus on any one country, state, or people to stimulate new ways of thinking about contemporary Europe as a whole.
Each year, the Laura Shannon Prize is given to a book published in one of two alternating fields: the Humanities (Philosophy, Theology, Cultural Studies, Modern Languages and Literatures, and the Arts) and History & Social Sciences (History, Sociology, Economics, Political Science, Law, and Anthropology).
The 2021 Laura Shannon Prize will be awarded to the best History & Social Sciences book published in 2018 and 2019. The winning book is selected by a jury of five eminent scholars in European studies, at least two of whom are prominent scholars serving at institutions other than the University of Notre Dame.
Professor Max Bergholz presents the 2019 Laura Shannon Prize Lecture at the University of Notre Dame.